Marionettes, Inc. by Ray Bradbury

Marionettes, Inc. by Ray Bradbury

Marionettes, Inc. is a science fiction short story by Ray Bradbury that explores themes of identity and the complexities of marriage. The narrative follows Braling, a man who uses a lifelike marionette to escape his controlling wife, allowing him to experience freedom for the first time in years. As Braling enjoys his newfound independence, the story delves into the ethical implications of creating artificial replicas of oneself. The tale raises questions about love, autonomy, and the consequences of seeking an easy way out of difficult relationships. This thought-provoking work is ideal for fans of speculative fiction and those interested in the moral dilemmas of technology.

Key Points

  • Explores the ethical implications of artificial intelligence and identity.
  • Follows Braling's struggle with his controlling marriage and desire for freedom.
  • Highlights the emotional complexities of love and autonomy in relationships.
  • Features a unique twist on the concept of marionettes and their lifelike qualities.
184
/ 4
1
Ray Bradbury
Marionettes, Inc.
They walked slowly down the street at about ten in the evening,
talking calmly. They were both about thirty-five, both eminently sober.
“But why so early?” said Smith.
“Because,” said Braling.
“Your first night out in years and you go home at ten o’clock.”
“Nerves, I suppose.
“What I wonder is how you ever managed it. I’ve been trying to get
you out for ten years for a quiet drink. And now, on the one night, you insist
on turning in early.”
“Mustn’t crowd my luck,” said Braling.
“What did you do, put sleeping powder in your wife’s coffee?
“No, that would be unethical. You’ll see soon enough.”
They turned a corner. “Honestly, Braling, I hate to say this, but you
have been patient with her. You may not admit it to me, but marriage has
been awful for you, hasn’t it?”
“I wouldn’t say that.”
“It’s got around, anyway, here and there, how she got you to marry
her. That time back in 1979 when you were going to Rio --
“Dear Rio. I never did see it after all my plans.
“And how she tore her clothes and rumpled her hair and threatened to
call the police unless you married her.”
“She always was nervous, Smith, understand.”
“It was more than unfair. You didn’t love her. You told her as much,
didn’t you?”
“I recall that I was quite firm on the subject.”
“But you married her anyhow.”
“I had my business to think of, as well as my mother and father. A
thing like that would have killed them.”
“And it’s been ten years.”
“Yes,” said Braling, his gray eyes steady. “But I think perhaps it might
change now. I think what I’ve waited for has come about. Look here.” He
drew forth a long blue ticket.
“Why, it’s a ticket for Rio on the Thursday rocket!”
“Yes, I’m finally going to make it.
“But how wonderful! You do deserve it! But won’t she object? Cause
trouble?” Braling smiled nervously. “She won’t know I’m gone. I’ll be back
in a month and no one the wiser, except you.
Smith sighed. “I wish I were going with you.”
“Poor Smith, your marriage hasn’t exactly been roses, has it?”
“Not exactly, married to a woman who overdoes it. I mean, after all,
when you’ve been married ten years, you don’t expect a woman to sit on
your lap for two hours every evening, call you at work twelve times a day
and talk baby talk. And it seems to me that in the last month she’s gotten
worse. I wonder if perhaps she isn’t just a little simple-minded?”
“Ah, Smith, always the conservative. Well, here’s my house. Now,
would you like to know my secret? How I made it out this evening?”
“Will you really tell?”
“Look up, there!” said Braling.
They both stared up through the dark air.
In the window above them, on the second floor, a shade was raised. A
man about thirty-five years old, with a touch of gray at either temple, sad
gray eyes, and a small thin mustache looked down at them.
“Why, that’s you!” cried Smith.
“Sh-h-h, not so loud!” Braling waved upward. The man in the window
gestured significantly and vanished.
“I must be insane,” said Smith.
“Hold on a moment.” They waited.
The street door of the apartment opened and the tall spare gentleman
with the mustache and the grieved eyes came out to meet them.
“Hello, Braling,” he said.
“Hello, Braling,” said Braling.
They were identical.
Smith stared. “Is this your twin brother? I never knew
“No, no,” said Braling quietly. “Bend close. Put your ear to Braling
Two’s chest.”
Smith hesitated and then leaned forward to place his head against the
uncomplaining ribs. Tick-tick-tick-tick-tick-tick-tick-tick.
“Oh no! It can’t be!”
“It is.”
“Let me listen again.”
Tick-tick-tick-tick-tick-tick-tick-tick.
Smith staggered back and fluttered his eyelids, appalled. He reached
out and touched the warm hands and the cheeks of the thing.
“Where’d you get him?”
“Isn’t he excellently fashioned?”
“Incredible. Where?”
“Give the man your card, Braling Two.”
Braling Two did a magic trick and produced a white card:
MARIONETTES, INC. Duplicate self or friends; new humanoid plastic 1990
2
models, guaranteed against all physical wear. From $7,600 to our $15,000
de luxe model.
“No,” said Smith.
“Yes,” said Braling.
“Naturally,” said Braling Two.
“How long has this gone on?”
“I’ve had him for a month. I keep him in the cellar in a toolbox. My
wife never goes downstairs, and I have the only lock and key to that box.
Tonight I said I wished to take a walk to buy a cigar. I went down cellar and
took Braling Two out of his box and sent him back up to sit with my wife
while I came on out to see you, Smith.”
“Wonderful! He even smells like you: Bond Street and Melachrinos!”
“It may be splitting hairs, but I think it highly ethical. After all, what
my wife wants most of all is me. This marionette is me to the hairiest
detail. I’ve been home all evening. I shall be home with her for the next
month. In the meantime another gentleman will be in Rio after ten years of
waiting. When I return from Rio, Braling Two here will go back in his box.”
Smith thought that over a minute or two. “Will he walk around
without sustenance for a month?” he finally asked.
“For six months if necessary. And he’s built to do everythingeat,
sleep, perspireeverything, natural as natural is. You’ll take good care of
my wife, won’t you, Braling Two?”
“Your wife is rather nice,” said Braling Two. “I’ve grown rather fond
of her.”
Smith was beginning to tremble. “How long has Marionettes, Inc.,
been in business?
“Secretly, for two years.”
“Could II mean, is there a possibility——” Smith took his friend’s
elbow earnestly. “Can you tell me where I can get one, a robot, a
marionette, for myself? You will give me the address, won’t you?”
“Here you are.”
Smith took the card and turned it round and round. “Thank you,” he
said. “You don’t know what this means. Just a little respite. A night or so,
once a month even. My wife loves me so much she can’t bear to have me
gone an hour. I love her dearly, you know, but remember the old poem:
‘Love will fly if held too lightly, love will die if held too tightly.’ I just want
her to relax her grip a little bit.”
“You’re lucky, at least, that your wife loves you. Hate’s my problem.
Not so easy.”
“Oh, Nettie loves me madly. It will be my task to make her love me
comfortably.”
“Good luck to you, Smith. Do drop around while I’m in Rio. It will
seem strange, if you suddenly stop calling by, to my wife. You’re to treat
Braling Two, here, just like me.”
“Right! Good-by. And thank you.”
Smith went smiling down the street. Braling and Braling Two turned
and walked into the apartment hall.
On the crosstown bus Smith whistled softly, turning the white card in
his fingers: Clients must be pledged to secrecy, for while an act is pending
in Congress to legalize Marionettes, Inc., it is still a felony, if caught, to use
one.
“Well,” said Smith.
Clients must have a mold made of their body and a color index check
of their eyes, lips, hair, skin, etc. Clients must expect to wait for two
months until their model is finished.
Not so long, thought Smith. Two months from now my ribs will have a
chance to mend from the crushing they’ve taken. Two months from now my
hand will heal from being so constantly held. Two months from now my
bruised underlip will begin to reshape itself. I don’t mean to sound
ungrateful...
He flipped the card over.
Marionettes, Inc., is two years old and has a fine record of satisfied
customers behind it. Our motto is “No Strings Attached.” Address: 43 South
Wesley Drive.
The bus pulled to his stop; he alighted, and while humming up the
stairs he thought, Nettie and I have fifteen thousand in our joint bank
account. I’ll just slip eight thousand out as a business venture, you might
say. The marionette will probably pay back my money, with interest, in
many ways. Nettie needn’t know. He unlocked the door and in a minute was
in the bedroom. There lay Nettie, pale, huge, and piously asleep.
“Dear Nettie.” He was almost overwhelmed with remorse at her
innocent face there in the semidarkness. “If you were awake you would
smother me with kisses and coo in my ear. Really, you make me feel like a
criminal. You have been such a good, loving wife. Sometimes it is impossible
for me to believe you married me instead of that Bud Chapman you once
liked. It seems that in the last month you have loved me more wildly than
ever before.”
Tears came to his eyes. Suddenly he wished to kiss her, confess his
love, tear up the card, forget the whole business. But as he moved to do
this, his hand ached and his ribs cracked and groaned. He stopped, with a
pained look in his eyes, and turned away. He moved out into the hall and
through the dark rooms.
3
Humming, he opened the kidney desk in the library and filched the
bankbook. “Just take eight thousand dollars is all,” he said. “No more than
that.” He stopped. “Wait a minute.”
He rechecked the bankbook frantically. “Hold on here!” he cried.
“Ten thousand dollars is missing!” He leaped up. “There’s only five thousand
left! What’s she done? What’s Nettie done with it? More hats, more clothes,
more perfume! Or, wait I know! She bought that little house on the Hudson
she’s been talking about for months, without so much as a by your leave!”
He stormed into the bedroom, righteous and indignant. What did she
mean, taking their money like this? He bent over her. “Nettie!” he shouted.
“Nettie, wake up!”
She did not stir. “What’ve you done with my money!” he bellowed.
She stirred fitfully. The light from the street flushed over her
beautiful
cheeks.
There was something about her. His heart throbbed violently. His
tongue dried.
He shivered. His knees suddenly turned to water. He collapsed.
“Nettie, Nettie!” he cried. “What’ve you done with my money!”
And then, the horrid thought. And then the terror and the loneliness
engulfed him. And then the fever and disillusionment. For, without desiring
to do so, he bent forward and yet forward again until his fevered ear was
resting firmly and irrevocably upon her round pink bosom. “Nettie!” he
cried.
Tick-tick-tick-tick-tick-tick-tick-tick-tick-tick-tick.
As Smith walked away down the avenue in the night, Braling and
Braling Two turned in at the door to the apartment. “I’m glad he’ll be happy
too,” said Braling.
“Yes,” said Braling Two abstractedly.
“Well, it’s the cellar box for you, B-Two.” Braling guided the other
creature’s elbow down the stairs to the cellar.
“That’s what I want to talk to you about,” said Braling Two, as they
reached the concrete floor and walked across it. “The cellar. I don’t like it.
I don’t like that toolbox.”
“I’ll try and fix up something more comfortable.”
“Marionettes are made to move, not lie still. How would you like to lie
in a box most of the time?”
“Well
“You wouldn’t like it at all. I keep running. There’s no way to shut me
off. I’m perfectly alive and I have feelings.”
“It’ll only be a few days now. I’ll be off to Rio and you won’t have to
stay in the box. You can live upstairs.”
Braling Two gestured irritably. “And when you come back from having
a good time, back in the box I go.”
Braling said, “They didn’t tell me at the marionette shop that I’d get
a difficult specimen.”
“There’s a lot they don’t know about us,” said Braling Two. “We’re
pretty new. And we’re sensitive. I hate the idea of you going off and
laughing and lying in the sun in Rio while we’re stuck here in the cold.”
“But I’ve wanted that trip all my life,” said Braling quietly. He
squinted his eyes and could see the sea and the mountains and the yellow
sand. The sound of the waves was good to his inward mind. The sun was fine
on his bared shoulders. The wine was most excellent.
“I’ll never get to go to Rio,” said the other man. “Have you thought of
that?”
“No, I
“And another thing. Your wife.”
“What about her?” asked Braling, beginning to edge toward the door.
“I’ve grown quite fond of her.”
“I’m glad you’re enjoying your employment.” Braling licked his lips
nervously.
“I’m afraid you don’t understand. I thinkI’m in love with her.”
Braling took another step and froze. “You’re what?”
“And I’ve been thinking,” said Braling Two, “how nice it is in Rio and
how I’ll never get there, and I’ve thought about your wife andI think we
could be very happy.”
“T-that’s nice.” Braling strolled as casually as he could to the cellar
door.
“You won’t mind waiting a moment, will you? I have to make a phone
call.”
“To whom?” Braling Two frowned.
“No one important.”
“To Marionettes, Incorporated? To tell them to come get me?”
“No, nonothing like that!” He tried to rush out the door. A metal-
firm grip seized his wrists. “Don’t run!”
“Take your hands off!”
“No.”
“Did my wife put you up to this?”
“No.”
“Did she guess? Did she talk to you? Does she know? Is that it?” He
screamed. A hand clapped over his mouth.
/ 4
End of Document
184
You May Also Like

FAQs of Marionettes, Inc. by Ray Bradbury

What is the main theme of Marionettes, Inc.?
The main theme of Marionettes, Inc. revolves around the exploration of identity and autonomy in relationships. Ray Bradbury illustrates the lengths to which individuals might go to escape the constraints of their lives, particularly in the context of marriage. The story raises ethical questions about the use of technology to create replicas of oneself, prompting readers to consider the implications of such choices on personal relationships and self-identity.
How does Braling use the marionette in the story?
Braling uses the marionette, a lifelike replica of himself, as a means to escape his controlling wife and experience freedom for the first time in years. By sending the marionette to interact with his wife while he enjoys his time away, he believes he can maintain his marriage while also fulfilling his own desires. However, this decision leads to unforeseen consequences, highlighting the complexities of love and the dangers of seeking easy solutions to difficult problems.
What happens to Braling at the end of the story?
At the end of Marionettes, Inc., Braling's plan to escape his marriage takes a dark turn when the marionette he created begins to assert its own desires. The story concludes with Braling facing the reality that his creation has developed feelings for his wife, leading to a confrontation that questions the nature of love and autonomy. This twist emphasizes the unpredictable outcomes of manipulating identity and relationships through technology.
What moral dilemmas are presented in Marionettes, Inc.?
Marionettes, Inc. presents several moral dilemmas, particularly regarding the ethics of creating artificial beings to fulfill personal desires. The story challenges readers to consider the implications of using technology to escape from reality and the potential consequences of such actions on human relationships. It raises questions about the authenticity of love and whether true connection can exist when one partner is a mere replica, prompting reflection on the nature of existence and emotional bonds.
Who is the protagonist of Marionettes, Inc.?
The protagonist of Marionettes, Inc. is Braling, a man who feels trapped in his marriage to a controlling wife. His desire for freedom drives the narrative as he seeks a solution through the creation of a lifelike marionette that can take his place. Braling's character embodies the struggle between personal autonomy and the responsibilities of marriage, making him a relatable figure for readers grappling with similar issues in their own lives.
What is the significance of the marionette in the story?
The marionette in Marionettes, Inc. serves as a powerful symbol of identity and the desire for freedom. It represents Braling's attempt to escape the constraints of his marriage while also raising questions about the nature of self and authenticity. The marionette's lifelike qualities blur the lines between reality and artificiality, prompting readers to reflect on the consequences of creating replicas of oneself and the ethical implications of such actions in relationships.
What literary techniques does Ray Bradbury use in Marionettes, Inc.?
Ray Bradbury employs various literary techniques in Marionettes, Inc., including irony and foreshadowing, to enhance the story's themes. The use of irony is evident in Braling's attempt to gain freedom through a lifelike marionette, which ultimately leads to unforeseen complications. Foreshadowing hints at the marionette's potential to develop its own identity, creating tension and anticipation throughout the narrative. These techniques contribute to the story's exploration of identity, autonomy, and the ethical dilemmas of technology.

Related of Marionettes, Inc. by Ray Bradbury