Murder on the Orient Express by Agatha Christie

Murder on the Orient Express by Agatha Christie

Murder on the Orient Express is a classic mystery novel by Agatha Christie featuring the iconic detective Hercule Poirot. Set aboard the luxurious train traveling from Stamboul to Calais, the story unfolds as Poirot investigates the murder of Samuel Ratchett, a man with a dark past linked to the infamous Armstrong kidnapping case. With a diverse cast of characters, each with their own secrets and motives, the narrative explores themes of justice, revenge, and morality. This gripping tale is perfect for fans of detective fiction and those intrigued by complex plots and unexpected twists.

Key Points

  • Features Hercule Poirot solving a murder on a train.
  • Explores the infamous Armstrong kidnapping case.
  • Includes a diverse cast of characters with hidden motives.
  • Examines themes of justice, revenge, and morality.
207
/ 208
MURDER ON THE
ORIENT EXPRESS
By Agatha Christie
PART I
THE FACTS
1. AN IMPORTANT PASSENGER ON THE
TAURUS EXPRESS
It was five o'clock on a winter's morning in Syria. Alongside the
platform at Aleppo stood the train grandly designated in railway guides
as the Taurus Express. It consisted of a kitchen and dining-car, a
sleeping-car and two local coaches.
By the step leading up into the sleeping-car stood a young French
lieutenant, resplendent in uniform conversing, with a small man
muffled up to the ears of whom nothing was visible but a pink-tipped
nose and the two points of an upward-curled moustache.
It was freezingly cold, and this job of seeing off a distinguished
stranger was not one to be envied, but Lieutenant Dubosc performed
his part manfully. Graceful phrases fell from his lips in polished
French. Not that he knew what it was all about. There had been
rumours, of course, as there always were in such cases. The
General's—his General's—temper had grown worse and worse. And
then there had come this Belgian stranger—all the way from England,
it seemed. There had been a week—a week of curious tensity. And then
certain things had happened. A very distinguished officer had
committed suicide, another had suddenly resigned, anxious faces had
suddenly lost their anxiety, certain military precautions were relaxed.
And the General, Lieutenant Dubosc's own particular General, had
suddenly looked ten years younger.
Murder on the Orient Express | 1
Agatha Christie | 2
Dubosc had overheard part of a conversation between him and the
stranger. "You have saved us, mon cher," said the General emotionally,
his great white moustache trembling as he spoke. "You have saved the
honour of the French Army—you have averted much bloodshed! How
can I thank you for acceding to my request? To have come so far—"
To which the stranger (by name M. Hercule Poirot) had made a
fitting reply including the phrase—"But indeed, do I not remember that
once you saved my life?" And then the General had made another
fitting reply to that, disclaiming any merit for that past service; and
with more mention of France, of Belgium, of glory, of honour and of
such kindred things they had embraced each other heartily and the
conversation had ended.
As to what it had all been about, Lieutenant Dubosc was still in the
dark, but to him had been delegated the duty of seeing off M. Poirot by
the Taurus Express, and he was carrying it out with all the zeal and
ardour befitting a young officer with a promising career ahead of him.
"To-day is Sunday," said Lieutenant Dubosc. "Tomorrow, Monday
evening, you will be in Stamboul."
It was not the first time he had made this observation. Conversations
on the platform, before the departure of a train, are apt to be somewhat
repetitive in character.
"That is so," agreed M. Poirot.
"And you intend to remain there a few days, I think?"
"Mais oui. Stamboul, it is a city I have never visited. It would be a
pity to pass through—comme ça." He snapped his fingers descriptively.
"Nothing presses—I shall remain there as a tourist for a few days."
"La Sainte Sophie, it is very fine," said Lieutenant Dubosc, who had
never seen it.
A cold wind came whistling down the platform. Both men shivered.
Lieutenant Dubosc managed to cast a surreptitious glance at his watch.
Five minutes to five—only five minutes more!
Fancying that the other man had noticed his glance, he hastened once
more into speech.
"There are few people travelling this time of year," he said, glancing
up at the windows of the sleeping-car above them.
/ 208
End of Document
207
You May Also Like

FAQs of Murder on the Orient Express by Agatha Christie

What is the main plot of Murder on the Orient Express?
The plot revolves around the murder of Samuel Ratchett aboard the Orient Express. Hercule Poirot, the famous Belgian detective, is called to solve the case. As he interviews the passengers, he uncovers their connections to the Armstrong family and the motives behind Ratchett's murder. The story is filled with twists and turns, leading to a surprising conclusion that challenges the concepts of justice and morality.
Who are the key characters in the novel?
Key characters include Hercule Poirot, the brilliant detective; Samuel Ratchett, the murder victim; and various passengers such as Mary Debenham, Colonel Arbuthnot, and Princess Dragomiroff. Each character has a distinct background and motive, contributing to the intricate web of the mystery. Their interactions and secrets are crucial to unraveling the truth behind the murder.
What themes are explored in the novel?
Murder on the Orient Express explores themes of justice, revenge, and morality. The narrative questions the nature of justice as Poirot uncovers the passengers' motives for wanting Ratchett dead. It also delves into the idea of collective guilt and the moral implications of taking the law into one's own hands. These themes resonate throughout the story, making it a thought-provoking read.
How does Poirot solve the murder mystery?
Poirot solves the mystery by meticulously interviewing each passenger and piecing together their alibis and motives. He observes inconsistencies in their stories and uncovers connections to the Armstrong kidnapping case. By analyzing the evidence and understanding human psychology, Poirot reveals the truth behind Ratchett's murder, leading to a shocking conclusion.
What is the significance of the Armstrong case in the story?
The Armstrong case is central to the plot of Murder on the Orient Express. It serves as the catalyst for the events that unfold on the train, as Ratchett is revealed to be Cassetti, the man responsible for the kidnapping and murder of Daisy Armstrong. The emotional weight of the Armstrong family's tragedy drives the motivations of several characters, making the resolution of the murder not just a matter of justice, but also of personal vengeance.
What role does the setting play in the novel?
The setting of the Orient Express is crucial to the narrative. The confined space of the train creates a sense of isolation and urgency, as the passengers are cut off from the outside world due to a snowdrift. This setting amplifies the tension and suspense, as Poirot must solve the mystery before the train resumes its journey. The luxurious atmosphere contrasts sharply with the dark crime, enhancing the overall impact of the story.

Related of Murder on the Orient Express by Agatha Christie