The Chronicles of Narnia: The Lion, the Witch and the Wardrobe follows four siblings—Peter, Susan, Edmund, and Lucy—who are evacuated to the countryside during World War II. They discover a magical wardrobe that leads to the land of Narnia, where they encounter talking animals and the evil White Witch. This classic fantasy novel by C.S. Lewis explores themes of bravery, betrayal, and redemption. Ideal for readers of all ages, it serves as an introduction to the enchanting world of Narnia and its rich lore. The story begins with the children's arrival at the professor's house and sets the stage for their extraordinary adventures.

Key Points

  • Introduces the four Pevensie siblings and their evacuation during WWII.
  • Explores the magical land of Narnia accessed through a wardrobe.
  • Features key characters like the White Witch and Aslan the lion.
  • Examines themes of good vs. evil, courage, and family loyalty.
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C.S. Lewis
The Chronicles Of Narnia
THE LION, THE WITCH AND THE WARDROBE
BY
C.S.LEWIS
CHAPTER ONE
LUCY LOOKS INTO A WARDROBE
ONCE there were four children whose names were Peter, Susan, Edmund and Lucy. This
story is about something that happened to them when they were sent away from London
during the war because of the air-raids. They were sent to the house of an old Professor
who lived in the heart of the country, ten miles from the nearest railway station and two
miles from the nearest post office. He had no wife and he lived in a very large house with
a housekeeper called Mrs Macready and three servants. (Their names were Ivy, Margaret
and Betty, but they do not come into the story much.) He himself was a very old man
with shaggy white hair which grew over most of his face as well as on his head, and they
liked him almost at once; but on the first evening when he came out to meet them at the
front door he was so odd-looking that Lucy (who was the youngest) was a little afraid of
him, and Edmund (who was the next youngest) wanted to laugh and had to keep on
pretending he was blowing his nose to hide it.
As soon as they had said good night to the Professor and gone upstairs on the first night,
the boys came into the girls' room and they all talked it over.
"We've fallen on our feet and no mistake," said Peter. "This is going to be perfectly
splendid. That old chap will let us do anything we like."
"I think he's an old dear," said Susan.
"Oh, come off it!" said Edmund, who was tired and pretending not to be tired, which
always made him bad-tempered. "Don't go on talking like that."
"Like what?" said Susan; "and anyway, it's time you were in bed."
"Trying to talk like Mother," said Edmund. "And who are you to say when I'm to go to
bed? Go to bed yourself."
"Hadn't we all better go to bed?" said Lucy. "There's sure to be a row if we're heard
talking here."
"No there won't," said Peter. "I tell you this is the sort of house where no one's going to
mind what we do. Anyway, they won't hear us. It's about ten minutes' walk from here
down to that dining-room, and any amount of stairs and passages in between."
"What's that noise?" said Lucy suddenly. It was a far larger house than she had ever been
in before and the thought of all those long passages and rows of doors leading into empty
rooms was beginning to make her feel a little creepy.
"It's only a bird, silly," said Edmund.
"It's an owl," said Peter. "This is going to be a wonderful place for birds. I shall go to bed
now. I say, let's go and explore tomorrow. You might find anything in a place like this.
Did you see those mountains as we came along? And the woods? There might be eagles.
There might be stags. There'll be hawks."
"Badgers!" said Lucy.
"Foxes!" said Edmund.
"Rabbits!" said Susan.
But when next morning came there was a steady rain falling, so thick that when you
looked out of the window you could see neither the mountains nor the woods nor even
the stream in the garden.
"Of course it would be raining!" said Edmund. They had just finished their breakfast with
the Professor and were upstairs in the room he had set apart for them - a long, low room
with two windows looking out in one direction and two in another.
"Do stop grumbling, Ed," said Susan. "Ten to one it'll clear up in an hour or so. And in
the meantime we're pretty well off. There's a wireless and lots of books."
"Not for me"said Peter; "I'm going to explore in the house."
Everyone agreed to this and that was how the adventures began. It was the sort of house
that you never seem to come to the end of, and it was full of unexpected places. The first
few doors they tried led only into spare bedrooms, as everyone had expected that they
would; but soon they came to a very long room full of pictures and there they found a suit
of armour; and after that was a room all hung with green, with a harp in one corner; and
then came three steps down and five steps up, and then a kind of little upstairs hall and a
door that led out on to a balcony, and then a whole series of rooms that led into each
other and were lined with books - most of them very old books and some bigger than a
Bible in a church. And shortly after that they looked into a room that was quite empty
except for one big wardrobe; the sort that has a looking-glass in the door. There was
nothing else in the room at all except a dead blue-bottle on the window-sill.
"Nothing there!" said Peter, and they all trooped out again - all except Lucy. She stayed
behind because she thought it would be worth while trying the door of the wardrobe, even
though she felt almost sure that it would be locked. To her surprise it opened quite easily,
and two moth-balls dropped out.
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FAQs

What is the significance of the wardrobe in The Lion, the Witch and the Wardrobe?
The wardrobe serves as a portal to Narnia, symbolizing the transition from the mundane world to a realm of magic and adventure. It represents the idea of escape and discovery, allowing the Pevensie siblings to enter a land filled with talking animals and mythical creatures. This magical entry point sets the stage for their journey and the challenges they will face in their quest to save Narnia from the White Witch's tyranny.
Who are the main characters in The Lion, the Witch and the Wardrobe?
The main characters include the four Pevensie siblings: Peter, the brave leader; Susan, the nurturing protector; Edmund, who struggles with betrayal; and Lucy, the curious and adventurous youngest sibling. Additionally, Aslan, the noble lion, represents good and justice, while the White Witch embodies evil and oppression. Their interactions drive the plot and highlight themes of loyalty, sacrifice, and redemption.
What themes are explored in The Lion, the Witch and the Wardrobe?
The novel explores several significant themes, including the battle between good and evil, the importance of courage and sacrifice, and the power of forgiveness. The Pevensie siblings' journey reflects their personal growth and the moral choices they face. Additionally, the story emphasizes the value of family and friendship, as the siblings must work together to overcome challenges and defeat the White Witch.
How does the setting of Narnia influence the story?
Narnia's setting plays a crucial role in shaping the narrative, as it is a land filled with magic, danger, and wonder. The diverse landscapes—from snowy forests to lush meadows—create a vivid backdrop for the Pevensie siblings' adventures. The seasonal changes in Narnia, particularly the perpetual winter imposed by the White Witch, symbolize oppression and the need for hope and renewal, which the arrival of Aslan ultimately brings.
What role does Aslan play in The Lion, the Witch and the Wardrobe?
Aslan is a central figure in the story, representing good, justice, and sacrifice. He guides the Pevensie siblings and helps them understand their roles in the fight against the White Witch. Aslan's self-sacrifice to save Edmund is a pivotal moment that underscores the themes of redemption and resurrection. His character embodies the moral and spiritual lessons woven throughout the narrative, making him a symbol of hope and bravery.