
THINK INDIA (Quarterly Journal)
ISSN:0971-1260
Vol-22-Issue-4-October-December-2019
P a g e | 3483 Copyright ⓒ 2019Authors
‘The metamorphosis’ stands out among Kafka’s shorter narratives. It is clearly divided with
three parts. The first part shows Gregor in his relation to his profession, The second to his family and the
third to himself. The three parts are united by Gregor’s fate which always remains an enigma. ‘The
metamorphosis’ would be an escapist wish dream come true. Gregor seems to be more than a log in a
capitalistic machine. There is also a human side to his relationship with the firm. His parents once borrowed
money from the boss and stated Gregor’s services as guarantee for the sum advanced to them. Nobody can
denay that he is a slave, but even slaves are man. It his animal shape were but a dream then he would have
paradoxically sacrificed his humanity in his attempt to escape slavery by his change into an insect.
Gregor’s metamorphosis need not represent the escape from reality. Kafka is not very keen
on depicting Gregor’s flight from day to dream. He is locked up in his room, and nobody can change this
solitude any more, the family can only adjust to it. At the beginning of the story the individual member of
the Samsa household were introduced by the insects reaction to their voice. The mother’s voice was soft and
her softness is Gregor’s comfort. Here Kafka has captured his own mother’s selflessness and the
superficiality of her understanding on him.
The little of the story is more applicable to Grete, Sister of Gergor. Her transformation is
developed beautifully. Grete has become a turn Goat. From a good Samaritan she changed into the Father’s
daughter. She has joined the force with him. In the catastrophic scene she calls him ‘Gregor’ to hold him
responsible for his fate. His advocates become his prosecutor and almost his executioner. Probably Kafka
allows some biographical materials to come into the story. He seems to hunted by ideas of inscetuous love.
In ‘Metamorphosis’ he was playing with psycho-analysis.
Kafka’s story describes the invasion of the material world by power that resides beyond
empirical experience. In Kafka’s word the empirical world has its limit. The unusual world goes beyond the
limit, because of Gregor Samsa’s common place character, it is difficult to agree to the description of novel
as a fairy tale in reverse, an antifairy tale. “The Metamorphosis’ seems to be intune with Gregor’s unheroic
character. The beast is a nondiscriptive as Gregor himself. Kafka doesn’t want to interpret Gregor’s insect
shape as an expression of his physical or mental disorder. The principle law of the force, which caused
metamorphosism in its incomprehensibility. The negative quality is inparted to the animal itself, which
Kafka couldn’t describe by words. By his metamorphosis Gregor Samsa has been turned into an
untouchable in the most literal sense of the world.
Outwardly, atleast Gregor’s transformation, is complete an immediate. He wakes up to find
that his body is that of an insect. Inwardly, however, the transformation seems more gradual. One common
interpretation of ‘The Metamorphosis’ is this: Kafka is telling us that some people, for the lives of some
people lead, are so insect like tha they may as well wake up one morning as insect. Another way to translate
the German Word Kafka uses to describes Gregor is “Vermin”. Certainly Gregor’s job is degrading,
frustrating and unfulfilling, but he is ‘vermin’ and vulnerable.
In an essay on ‘The Metamorphosis’ Walter Sokel defines “Self-alienation” as “The
Individuals estrangement from his humanity or human species being, that is from the individual’s
membership in the human species. The individual is estranged from himself in so far as he is alienated from
his essential nature as human being.” In Arendtian terms, Sokel is describing “loss of the world”. In order to