
Patroclus and Briseis
One way in which Miller seeks to engender a sense of empathy in her readers is through her
description of the relationship between Patroclus and Briseis. By way of background, Briseis is a widow
who was captured by Achilles. In turn, she is treated as a slave and war prisoner who is a victim of
Achilles’ whims. Interestingly, in The Iliad, Briseis is never referred to by her name. Instead, she is
merely called the “daughter of Brises.” Furthermore, she appears on scant occasions that emphasize her
enslavement. This accords with the common occurrence that, “[i]n The Iliad, women function
as…property” (Leidich 4). The only time Briseis is actually given a voice is when she speaks sorrowfully
about Patroclus’ death.
Yet Miller imbues Briseis with a far more profound sense of personhood than that aorded her in
The Iliad. Honoring Briseis’ humanity is a foundational step in Miller’s eorts to cultivate empathy for
this character. Miller begins this process by revealing to her readers Briseis’ deeply personal backstory.
Readers bear witness to this young woman who commences her imprisonment without any knowledge
of her captors’ language. She also lacks any sense of social standing due to her status as a war prisoner.
Despite these setbacks, Briseis is able to draw upon her inner resilience to transform from timidity to
erce courageousness. She proactively learns the language of her conquerors in order to voice the evils
of warfare that she experiences – despite the fact that this course of action can jeopardize her life. In
fact, Briseis’ profound strength and insistence on her personhood empowers her to confront Phyrrus,
who threatens to sexually assault her. Although she was unsuccessful at killing him before he could
commit this heinous crime, she manages to escape by jumping into the sea and meets her demise. At
the sight of this innocent woman’s drowned body, Miller instills empathy in her readers because
“...[h]er nal gesture is the only alternative she is left with to take the narrative of her life in her own
hands and assert her personal freedom. With her nal refusal to see her body appropriated and
brutalized, helpless to defend herself, she subverts the rape script waiting for her – for any woman –
taken prisoner” (Struzziero 147).
Prior to Briseis’ death, Miller forges a sense of empathy with her readers through her rendering of
the relationship between Patroclus and Briseis. In the process of constructing their friendship, Miller
leverages the few lines that Briseis is aorded in The Iliad when lamenting Patroclus’ death: “Patroclus
- dearest joy of my heart, my harrowed, broken heart” (Homer 19.338-339), and “So now I mourn
your death…you were always kind” (Homer 19.355-356). Miller builds upon these lines to convey
Patroclus’ compassionate nature towards the captured Briseis. “[Miller] reinvents Briseis’ position and
role, and makes her fully visible by adopting the sympathetic and close power of observation of
Patroclus. He proves to be a precious ally for a vulnerable woman who has no protection, and is lonely,
Electronic copy available at: https://ssrn.com/abstract=4096999