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Teacher’s Guide to Things Fall Apart by Chinua Achebe
SUPPLEMENTAL TEXTS
TO
THINGS FALL APART
(CONTINUED)
Nonfiction:
• How to Write about Africa by Binyavanga Wainaina
• “The Anthropological Unconscious or How Not to Talk about African Fiction” by
Ainehi Edoro
• “The Danger of a Single Story” by Chimamanda Ngozi Adichie
• “Mother Tongue” by Amy Tan
• “The Ugly Tourist” by Jamaica Kincaid
• “After Empire: Chinua Achebe and the Great African Novel” by Ruth Franklin
• “In Dialogue to Define Aesthetics: James Baldwin and Chinua Achebe” by
Dorothy Randall Tsuruta
• “I Am Not Just an African Woman” by Bunmi FatoyeMatory
• Excerpts from Orientalism by Edward W. Said
• “Shooting an Elephant” by George Orwell
• “The African Writer and the English Language” by Chinua Achebe
1. Structure, Technique, and Plot
a. Things Fall Apart begins with the quote from W.B. Yeats’s “The Second Coming”:
“Turning and turning in the widening gyre / The falcon cannot hear the falconer;
/ Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the
world.” Analyze the quote’s relationship to the story, citing textual evidence from
both Things Fall Apart and “The Second Coming.”
b. The novel begins and ends in Umuofia. Describe how the village is mentioned in
the beginning and end of the novel, and consider the effect or purpose of
Achebe structuring the narrative as such.
c. Things Fall Apart is made up of three parts. How does the novel’s structure
reflect the life of the protagonist and of the Igbo society?
d. What is the point of view of the narrator and how does it contribute to readers’
understanding of conflicting cultures?
e. Achebe uses flashbacks to describe the relationship of Okonkwo and Unoka.
What do the flashbacks reveal about their relationship?
2. Character and Conflict
a. In an interview with James Baldwin and Dorothy Randall Tsuruta, Chinua
Achebe states that “the women in [his] culture are the center of [their] lives.”
How is this reflected or rejected in Things Fall Apart? What is the role of women
in the community?
b. How does Okonkwo achieve greatness, as defined by his culture?
c. How does Okonkwo differ from his father? Consider what the Igbo consider
feminine and masculine.
DISCUSSION QUESTIONS