Twelfth Night by William Shakespeare

Twelfth Night by William Shakespeare

Twelfth Night is a comedic play by William Shakespeare that explores themes of love, mistaken identity, and the complexities of human relationships. Set in the fictional land of Illyria, the story follows Viola, who disguises herself as a man named Cesario after being shipwrecked. As she navigates the romantic entanglements of Duke Orsino and Countess Olivia, the play delves into the chaos that ensues from love's misadventures. Shakespeare's clever use of humor and wordplay highlights the folly of love and the societal norms of the time. This play is essential for students and fans of classic literature, offering rich character development and intricate plot twists.

Key Points

  • Explores themes of love and mistaken identity in Illyria
  • Follows Viola's disguise as Cesario and her romantic entanglements
  • Features Duke Orsino's unrequited love for Olivia
  • Includes comedic subplots involving Sir Toby and Malvolio's folly
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by William Shakespeare
ASF Study Materials for
Twelfth Night
Study Materials written by:
Susan Willis
ASF Dramaturg
swillis@asf.net
Contact ASF: 1.800.841-4273, www.asf.net
Welcome to Twelfth Night
Characters
In Illyria:
Duke Orsino, ruler of Illyria
Valentine
Curio
Olivia, a countess
Maria, her gentlewoman
Malvolio, Olivia's steward
Feste, a professional fool
Fabian, Olivia's servant
Sir Toby Belch, Olivia's
kinsman
Sir Andrew Aguecheek, a
foolish wooer of Olivia
A priest
From the sea:
Viola, a shipwrecked
gentlewoman, later
disguised as Cesario
Sebastian, her twin brother,
also shipwrecked
Antonio, a merchant-sailor who
saves Sebastian
A Sea Captain, who saves
Viola
Setting: Illyria
(in the Renaissance, Illyria
was the region we know
as the former Yugoslavia;
Shakespeare may imply
a more imaginary/fantasy
realm)
attendants
to Orsino
}
How the Comedy Works
Shakespeare's comedies begin in crisis,
the traditional comic "separation," and work
through increasing complications and love trials
until they reach the reunion, reconciliation, or
resolution that ends a comedy.
Twelfth Night opens with unrequited love—
always a problem in a romantic plot—and a
shipwreck in which Viola believes she lost her
twin brother, Sebastian. Such an opening seems
more tragic than comic, but once we learn
Sebastian is alive and mourning his drowned
twin sister, comic resolution becomes possible,
especially to resolve the love triangle beset with
mistaken identity that has developed in Illyria.
The comic subplot reflects the giddy and
impulsive emotion of love in the main plot
with its own booze-driven gratifications, more
focused on indulgence and revenge than loving
resolution.
1
by William Shakespeare
Twelfth Night
Shakespeare usually lets the subplot
provide a key image for the action of his plays,
and that is certainly true for Twelfth
Night. With Sir Toby typecast as a Lord
of Misrule, revelry rules the house,
much as Malvolio tries to stem the
tide of booze. Instead, that tide carries
even the staunch steward to heights
(or depths) of giddy aspiration in the
name of love, enticed by a drunken
prank and his own egotistic fantasy.
So what is the image for love in this
play—without doubt, it's intoxication!
Love is the bubbly; it packs a punch; it
can send you silly or sobbing; and the
recovery can be a sobering surprise.
Shakespeare knows everyone
loves a party, and no one throws a
party like he does. In fact, the title itself
tells us to expect a wild and raucous
Mardi Gras-style entertainment,
and the play certainly lives up to
its billing. Widely considered to be
the last and perhaps the greatest of
Shakespeare's romantic comedies, the Bard
looks at love one more time and at the glorious
foolishness of being in its clutches. Both his wit
and his wisdom abound in Twelfth Night—that
state of intoxicating confusion through which
true love eventually finds its way.
Order becomes disordered by dreams of love
in both the main plot and subplot of the play. Here
the subplot characters scheme and spy to skewer
Malvolio's pride with a fake love letter in H. C. Selous's
1830s illustration.
Display and Hooking the Prey
Contents of this Study Guide
Information that can be adapted to any
grade level includes:
• structure, plus an act-by-act analysis
• the play's themes, characters, and
imagery
• the cultural/historical context of ideas
• courtly love rhetoric and comparable
Renaissance sonnets/poetry
• relevant Renaissance theatre practices
• discussion topics and activities (in red)
"There's something in 't / That is
deceivable."
—Sebastian, 4.3
Twelfth Night Fact Sheet
Genre: Romantic comedy—
Shakespeare's last in this genre
Date of composition: circa 1600, just
after the move to the Globe, about the
same time as Hamlet
Sources: Several Renaissance Italian
comedies known as Gl'Ingannati
or Gl'Inganni [to deceive or trick]
are comparable to Shakespeare's
main plot confusions, and the
preface to one includes a Malevolti.
Shakespeare also likely knew the
adapted tale of "Apollonius and
Silla," comparable to the main plot
but which includes a pregnancy and
abandonment that he excludes.
Length: With slightly over 2400 lines, it
is the fourth shortest comedy in the
canon. The play is 61% prose and
39% verse—only Merry Wives and
Much Ado have a higher percentage
of prose.
Setting: Illyria, though sometimes called
a fantasy realm, was on the eastern
shore of the Adriatic Sea in the area of
the former Yugoslavia.
Longest roles in the play: Sir Toby, Viola,
and Feste
Words and Imagery:
• courtly love imagery: disease: Orsino
in 1.1 is lovesick, and when Olivia in
1.5 realizes she loves Cesario, she
asks "even so quickly may one catch
the plague?"
the hunt: In 1.1 Orsino uses the
common Petrarchan image of hunting
the hart, that is, the [beloved's] heart.
flowers: usually used to describe the
beloved's beauty, Orsino in 1.1 leaves
to seek a "bed of violets"; he will
eventually marry Viola. His imagery is
far more conventionally Petrarchan
than Viola's more individual and
heartfelt imagery for love.
Plot:
In Illyria, Duke Orsino loves the
Countess Olivia, who has pledged to
mourn the recent deaths of her father and
brother for seven years. On the shore of
Illyria appears Viola, survivor of a shipwreck
which claimed her twin brother. Needing a
refuge, she disguises herself as a boy to
become a page, Cesario, at Orsino's court.
She promptly falls in love with him—only
to have him send her to woo Olivia for
him. Olivia hears her impassioned plea for
Orsino and immediately falls in love with
the young page.
Also wooing Olivia is Sir Andrew
Aguecheek under the inebriated guidance
of Olivia's kinsman, Sir Toby Belch, who is
bilking him of money. When their partying is
chastized by the steward Malvolio, they and
the gentlewoman Maria conceive a practical
joke to convince Malvolio that Olivia loves
him, which is actually his secret fantasy.
He falls for their fake letter and obeys it,
appearing to Olivia smiling and wearing
yellow stockings. Maria says he's mad and
Olivia, beset by her own love mania, leaves
them to deal with him. They do—by locking
Malvolio up as a madman.
Then Sebastian, Viola's undrowned
twin brother, appears in Illyria and is
mistaken for Cesario by the brawling Sir
Andrew and Sir Toby and later by Olivia,
to whom he becomes betrothed. When
Orsino and Cesario appear at Olivia's
house, revelations and reunions abound.
Things to watch for in production:
• the twinning
• the mood of Illyria (for instance, which
song seems to be the "theme song"—
the carpe diem "O mistress mine," one
of the drinking songs, or the last song,
"When that I was and a little tiny boy"
with its refrain of "The rain it raineth
every day"?)
• the tone of the subplot—innocent fun or
a bit more malicious?
by William Shakespeare
Twelfth Night
Olivia in mourning (above)
and (below) Maria chastizes Sir
Toby for his late night indulgence
(both by Sir John Gilbert)
"I am sure care's an
enemy to life."
—Sir Toby, 1.3
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End of Document
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FAQs of Twelfth Night by William Shakespeare

What is the main plot of Twelfth Night?
The main plot of Twelfth Night revolves around Viola, who, after being shipwrecked, disguises herself as a young man named Cesario. She becomes embroiled in a love triangle with Duke Orsino, who is in love with Countess Olivia, and Olivia herself, who falls for Cesario, unaware of Viola's true identity. This leads to a series of misunderstandings and comedic situations as characters navigate their feelings and identities.
Who are the key characters in Twelfth Night?
Key characters in Twelfth Night include Viola, who disguises herself as Cesario; Duke Orsino, who is in love with Olivia; Countess Olivia, who mourns her brother and initially rejects Orsino's advances; and Malvolio, Olivia's steward, who becomes the target of a prank. Sir Toby Belch, Olivia's uncle, and Sir Andrew Aguecheek, a foolish suitor, add to the comedic subplot surrounding Malvolio's misguided ambitions.
What themes are explored in Twelfth Night?
Twelfth Night explores several themes, including the nature of love, gender identity, and the folly of ambition. The play examines how love can lead to confusion and chaos, particularly through the lens of mistaken identities and unrequited feelings. Additionally, it highlights the societal norms of the time, particularly regarding gender roles and the expectations of romantic relationships.
How does the disguise of Viola affect the plot?
Viola's disguise as Cesario is central to the plot of Twelfth Night, as it creates the comedic tension and misunderstandings that drive the story. Her ability to navigate both male and female spaces allows her to engage with Orsino and Olivia in ways that would otherwise be impossible. This disguise leads to romantic entanglements and ultimately results in a series of revelations that challenge the characters' perceptions of love and identity.
What role does Feste play in Twelfth Night?
Feste, the fool, serves as a commentator on the events of Twelfth Night, providing insight and wisdom through his songs and witty dialogue. He often highlights the foolishness of the other characters, particularly in their pursuits of love and social status. Feste's role emphasizes the theme of folly in the play, as he navigates both the upper and lower classes, revealing truths about human nature and the absurdities of life.

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