23
Edgar Allan Poe: Storyteller
I was now going to spend several weeks in this house of sadness —
this house of gloom . Its owner was named Roderick Usher . W e had
been friends when we were boys; but many years had passed since our
last meeting . A letter from him had reached me, a wild letter which
demanded that I reply by coming to see him. He wrote of an illness of
the body — of a sickness of the mind — and of a desire to see me —
his best and indeed his only friend. It was the manner in which all this
was said — it was the heart in it — which did not allow me to say no.
Although as boys we had been together , I really knew little about
my friend. I knew , however , that his family , a very old one, had long
been famous for its understanding of all the arts and for many quiet
acts of kindness to the poor . I had learned too that the family had
never been a large one, with many branches. The name had passed
always from father to son, and when people spoke of the “House of
Usher ,” they included both the family and the family home.
I again looked up from the picture of the house reflected in the
lake to the house itself . A strange idea grew in my mind — an idea so
strange that I tell it only to show the force of the feelings which laid
their weight on me. I really believed that around the whole house,
and the ground around it, the air itself was different. It was not the air
of heaven. It rose from the dead, decaying trees, from the gray walls,
and the quiet lake. It was a sickly, unhealthy air that I could see,
slow-moving , heavy , and gray .
Shaking off from my spirit what must have been a dream, I looked
more carefully at the building itself . The most noticeable thing about
it seemed to be its great age. None of the walls had fallen, yet the
stones appeared to be in a condition of advanced decay . P erhaps the
careful eye would have discovered the beginning of a break in the
front of the building , a crack making its way from the top down the
wall until it became lost in the dark waters of the lake.
I rode over a short bridge to the house. A man who worked in the
house — a servant — took my horse, and I entered. Another servant,
of quiet step, led me without a word through many dark turnings t o
the room of his master . Much that I met on the way added, I do not
know how , to the strangeness of which I have already spoken. While
the objects around me — the dark wall coverings , the blackness of
the floors, and the things brought home from long forgotten wars —