tiny tyke who crawled up to your feet, turned a precious face up to yours, and
beamed a big toothless grin. Pivoting 100 percent towards the new person
shouts "I think you are very, very special."
** How to Make Someone Feel Like an Old Friend at Once
Technique (Hello Old Friend): When meeting someone, imagine he or she is an
old friend (and old customer, and old beloved, or someone else you had great
affection for). How sad, the vicissitudes of life tore you two asunder. But, holy
mackerel, now the party (the meeting, the convention) has reunited you with your
long-lost old friend! The joyful experience starts a remarkable chain reaction in
your body from the subconscious softening of your eyebrows to the positioning of
your toes - and everything between.
People don't care how much you know until they know how much you
care...about them.
Whenever you're traveling in countries where you don't speak the native tongue,
be sure to use the "hello old friend" technique.
When you act as though you like someone, you start to really like them.
** How to Come Across as 100% Credible to Everyone
Technique (Limit the Fidget): Whenever your conversation really counts, let
your nose itch, your ear tingle, or your foot prickle. Do not fidget, twitch, wiggle,
squirm, or scratch. And above all, keep your paws away from your face. Hand
motions near your face and all fidgeting can give your listener the gut feeling
you're fibbing.
Fidgety movements give listeners the sense something just isn't right.
Professional communicators, squelch any signs anyone could mistake for
shiftiness. They fix a constant gaze on the listener. They never put their hands on
their faces. They don't massage their arm when it tingles or rub their nose when it
itches. They don't loosen their collar when it's hot or blink because it's sandy.
They don't wipe away tiny perspiration beads in public or shield their eyes from
the sun.
** How to Read People Like You Have ESP
Technique (Han’s Horse Sense): Make it a habit to get on a dual track while
talking. Express your self, but keep a keen eye on how your listener is reacting to
what you’re saying. Then plan your moves accordingly. If a horse can do it, so